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Psychoanalytical film theory : ウィキペディア英語版 | Psychoanalytical film theory Psychoanalytical film theory is a school of academic film criticism that developed in the 1970s and '80s, is closely allied with critical theory, and that analyzes films from the perspective of psychoanalysis, generally the works of Jacques Lacan.〔J. Childers/G. Hentzi eds., ''The Columbia Dictionary of Modern Literary and Cultural Criticism'' (1995) p. 112〕 ==Precursors==
Early applications of psychoanalysis to cinema concentrated on unmasking latent meanings behind screen images, before moving on to a consideration of film as a representation of fantasy.〔R. Lapsley/M. Westlake, ''Film Theory: An Introduction'' (2006) p. 67 and p. 91〕 From there, a wider consideration of the subject position of the viewer led to wider engagements with critical theory - to psychoanalytic film theory proper.〔Lapsley, p. 92-5〕
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